Summary: If you have troubles while working R52 60p files with FCP X, you can consider transcoding VIXIA R52 MP4/AVCHD footage to Apple ProRes, the best suited editing codec of FCP X. “I’m a photographer rather than a videographer myself, because I’m more into photo shooting actually. But recently I […]
Does FCP X, or the former version FCP 6 and FCP 7 have native support for Panasonic Lumix DMC-GH4 camera? If not, how can I import and edit GH4 footage in format of AVCHD, AVCHD Progressive, MOV or MP4 in Apple Final Cut Pro X/7/6? Go to find an answer […]
This article displays the best workflow guide for importing Panasonic Lumix DMC-GH4 footage to iMovie for further editing. If it is what you are looking for, feel free to read it through. The Panasonic Lumix DMC-GH4 4K Mirrorless Micro Four Thirds Digital Camera is the first DSLM with 4K cinematic […]
Summary: In this post, we are going to talk about what’s the flawless workflow for Panasonic Lumix FZ1000 and FCP X. If you are having issues while opening Lumix FZ1000 footage in FCP X, you may get what you need here. As the first shooter that puts 4K (3,840×2,160) video-shooting […]
Summary: Assuming you have recorded 4K video on a Panasonic Lumix FZ1000 camera, how can you get iMovie recognizing FZ1000 4K video? Our suggestion is, transcode Lumix FZ1000 4K video to Apple’s InterMediate Codec (AIC) before post-production. The AIC is iMovie’s native editing codec, which iMovie reads and handles very […]