Summary: What’s the best Final Cut Pro X workflow with RED? This post tells an easy and directly way to work with RED MXF/MP4 footage in FCP X. To be able to import RED RAW (R3D) media from RED ONE, EPIC and SCARLET cameras to FCP X for post production, […]
Summary: This post is mainly talking about how to convert Panasonic AG-HPX300/370 P2 MXF footage to an intermediate editing format that is best suited for use in Avid, Adobe Premiere and Sony Vegas. How can I batch transfer AG-HPX300/370 P2 MXF to MOV without losing quality and sound? “Hey, all, […]
Summary: Encountered issues while importing Panasonic AG-HPX300/370 P2 MXF recordings to iMovie/FCE for further editing? If so, you may wish to read this post. It displays a workaround to make Panasonic AG-HPX300/370 P2 MXF footage full compatible with iMovie/FCE. I needed a program to convert Panasonic AG-HPX300 P2 MXF footage […]
Summary: Having issues while importing Panasonic AG-HPX300/370 P2 MXF footage to FCP (X) for post production? This post is to help you out. It elaborates how to convert AG-HPX300/370 P2 video to ProRes 422 format for editing in FCP version 6, 7 or FCP X smoothly preserving original quality of […]
Summary: This post is mainly talking about how to convert Panasonic HVX200 P2 MXF footage to MOV format for editing in Avid, Adobe Premiere and Sony Vegas swimmingly. The mainstream non-linear editing programs like Avid, Adobe Premiere, Sony Vegas and FCP can ingest Panasonic AG-HVX200 P2 MXF footage easily as […]