If you experience any problems importing Sony a6300 4K/1080p files to FCP, you may read this post to learn tips and tricks for editing Sony a6300 footage in FCP 7 and FCP X.
The Sony A6300 uses XAVC S-format video for both 4K recording as well as Full HD video. 4K video is recorded in either 30p or 24p (or PAL-specific 25p) with a choice of bitrates: 100Mbps or 60Mbps. Full HD is offered in 60p, 30p, 24p and 120p. Bitrates for Full HD XAVC S video are 50Mbps for 24-60p (25/50p PAL) or 100Mbps for 120p. The A6300 also offers AVCHD (.MTS format) and MP4 video formats in a handful of lower bitrate settings, for a variety of Full HD options (and 720p for MP4 mode). 4K is only offered in XAVC S format, however.
For those who are having troubles working with Sony a6300 footage in Final Cut Pro, we would recommend transcoding Sony a6300 video to Apple ProRes codec first. This requires a third party Sony a6300 video converter for Mac. Read on to learn a quick guide on how to encode Sony a6300 files to ProRes for FCP editing.
How to convert Sony a6300 footage for use in FCP 7/FCP X?
Follow these steps:
Step 1: Run HD Video Converter for Mac as a professional Sony a6300 footage to FCP Converter. When its main interface comes up, click ‘Add File’ to load source video to it.
Step 2: Select ‘Apple ProRes 422 (*.mov)’ as output format for opening with FCP 7 or FCP X
From the Profile menu, move to ‘Final Cut Pro’ catalogue, and select ‘Apple ProRes 422 (*.mov)’ as target format. Apple ProRes is the best suited editing codec for FCP X and its former version 7. When loading them into FCP, you needn’t wait for a long time for rendering.
Important: If you’ve loaded a number of video clips to do batch conversion, please do remember ticking off ‘Apply to All’ option before you start.
Step 3: Adjust video and audio settings (for advanced users)
If necessary, you can click ‘Settings’ button and go to ‘Profiles Settings’ panel to modify video and audio settings like video encoder, resolution, video bit rate, frame rate, aspect ratio, audio encoder, sample rate, audio bit rate, and audio channels. 3D settings are also available.
Step 4: Click ‘Convert’ to start Sony a6300 footage to ProRes MOV conversion.
Step 5: Click ‘Open Folder’ to get generated ProRes 422 QuickTime files for transferring and editing in Final Cut Pro 7/X with optimum performance.
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