Summary: In this post, we are going to talk about what’s the flawless workflow for Panasonic Lumix FZ1000 and FCP X. If you are having issues while opening Lumix FZ1000 footage in FCP X, you may get what you need here. As the first shooter that puts 4K (3,840×2,160) video-shooting […]
Summary: Assuming you have recorded 4K video on a Panasonic Lumix FZ1000 camera, how can you get iMovie recognizing FZ1000 4K video? Our suggestion is, transcode Lumix FZ1000 4K video to Apple’s InterMediate Codec (AIC) before post-production. The AIC is iMovie’s native editing codec, which iMovie reads and handles very […]
Are you at the tearing your hair out stage to get Sony F55 / F5 XAVC footage edited in CS5/CS6? If so, this post may shed you some light on this. It presents the best Sony F55/F5 XAVC MXF workflow with Premiere Pro CS5/CS6. What’s the best workflow for Sony […]
Summary: If you have import issues while importing and editing Sony FDR-AX100 4K XAVC S/1080p AVCHD in NLE programs like iMovie, FCE, FCP (X), and Avid, we would recommend that you transcode FDR-AX100 footage to an intermediate format, which is a necessity for your editing apps. As the lightest and […]
Summary: Is it possible to edit Sony FDR-AX1 4K XAVC-S MP4 files in NLEs like iMovie, Avid, FCP, and DaVinci Resolve natively? If you have troubles to do so, you may need to convert FDR-AX1 4K XAVC-S MP4 to an intermediate codec that is well compatible with your editing programs. […]