If you are having issues loading Canon T6i/750D MP4 recordings into FCP X to create your own video, you may follow this short tutorial to convert T6i/750D MP4 video t ProRes 422 for use in FCP X smoothly without rendering. The EOS Rebel T6i/750D is a smart option for those […]
To be able to work with Samsung NX3000 H.264 footage in FCP X smoothly, users sometimes need to transcode NX3000 H.264 MP4 video to ProRes 422 before bringing them into FCP X. Here’s a quick guide on this. Being the latest edition to Samsung’s award winning NX series of compact […]
Couldn’t figure out a quick and smooth way to work with Nikon D5500 H.264 MOV files in Avid, Premiere and Sony Vegas? This post will give you some hints on this. It introduces an alternative way to transcode D5500 H.264 MOV for Avid/Premiere/Vegas editing with pristine quality. Trouble editing Nikon […]
Should you convert DSLR H.264 footage to ProRes for editing? This post will show you an easy and direct way to transcode DSLR H.264 footage to ProRes codec for working with NLE apps like FCP X, FCP 6/7, After Effects, Adobe Premiere, and DaVinci Resolve. Why convert raw DSLR footage […]
Summary: If you intend to edit Pentax K-S1 H.264 Full HD movie clips through iMovie, FCE, or FCP X, you may wish to read this post. It explains how to convert Pentax K-S1 H.264 files to MOV format for editing on Mac iMovie, FCE and FCP X with lossless quality. […]